{"id":398,"date":"2025-01-06T05:41:00","date_gmt":"2025-01-06T05:41:00","guid":{"rendered":"https:\/\/anakaafilms.com\/?page_id=398"},"modified":"2025-05-03T22:47:48","modified_gmt":"2025-05-03T22:47:48","slug":"quienes-somos","status":"publish","type":"page","link":"https:\/\/anakaafilms.com\/en\/quienes-somos\/","title":{"rendered":"Who We Are"},"content":{"rendered":"
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About Us<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Every step we take aims to empower communities, offering training programs like WayuuLab, festivals, and film showcases that pave the way for their voices to resonate with strength and visibility. We believe in the power of cinema as a bridge to strengthen identities, preserve memory, and build a future where Indigenous communities are the protagonists of their own stories.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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We are an Indigenous film<\/span> and audiovisual production company. <\/span><\/h2>\t\t\t\t\t

Members of the Wayuu People\u2019s Communication Network, Putchimaajana<\/p><\/span>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Since our beginnings in 2019, we were born with the gift of listening and amplifying the voices of Indigenous peoples. We have committed ourselves to strengthening their presence in the world of cinema, promoting the creation of powerful stories about our culture, our dreams, and our reality. <\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Projects <\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Collaborations and Partnerships<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Cultural Impact<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mission and Vision\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Encourage and promote Indigenous audiovisual production in all its genres, recognizing and valuing cultural diversity. Strengthen Indigenous communities through the creation, training, dissemination, and broadcasting of content that expresses their identities, knowledge, and stories, thus contributing to the preservation and revitalization of their cultures through cinema.<\/p><\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t

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To be a globally recognized Indigenous audiovisual production company that promotes and preserves cultural identity, driving sustainable human development and strengthening the voice of Indigenous peoples on both national and international stages.<\/p><\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t

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Founders<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tLismari Machado Silva<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Uliana<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Indigenous Community Communicator \/ Photographer and Audiovisual Director.\n\nA graduate of the Wayuu People\u2019s School of Communications, Lismari Machado has participated in the first Indigenous Film Lab in Colombia, WayuuLab, where she directed two short films, PAINWASHI and ESP\u00cdRITU DE UN RECICLADOR, and Lap\u00fc with SMARTFILMS, all of which were pre-selected. She has worked as a wardrobe assistant on the film \"P\u00e1jaros de Verano\" and as a camera assistant on the television series A Viva Voz for Canal Trece. She also directed her first cinematography for the short documentary La Memoria de la Avispa of Leiqui Uriana (2020). As a photographer for the Turkish International News Agency ANADOLU, Lismari is an active member of the Wayuu People\u2019s Communication Network.<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tLismari Machado Silva<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Uliana<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Indigenous Community Communicator \/ Photographer and Audiovisual Director.\n\n<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Graduated from the Wayuu People Communications School, Lismari Machado has participated in Colombia's first Indigenous Cinema Lab, WayuuLab, where she directed two short films, PAINWASHI and SPIRIT OF A RECYCLER, and Lapu with SMARTFILMS, which were shortlisted.
She has worked as a costume assistant on the film \"P\u00e1jaros de Verano\" and as a camera assistant on the television series \"A Viva Voz\" for Canal Trece
Additionally, she produced the documentary series \"El Buen Vivir\" for Canal Trece, featuring nine indigenous communities from Colombia. Lismari is an active member of the Wayuu People Communications Network.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\tLeiqui Uriana Henr\u00edquez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Sijono<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Leiqui del Carmen Uriana is Wayuu from the Sijono clan. She is a filmmaker, a graduate of the Documentary Direction program at the International School of Cinema and Television of San Antonio de los Ba\u00f1os (EICTV), Cuba. She has experience in filmmaking and audiovisual production.\n\nShe has participated in several film productions in Venezuela and Colombia since 2005. She is currently the director of the short film \"La memoria de la avispa\", which is circulating in national and international festivals. She is the co-producer of the Ecuadorian feature documentary \"El Ocaso de la Amazonia\", directed by Diego Sarmiento (2023), and the general producer of the feature documentaries \"Buscando las marcas del Asho\u2019ojoshi\" by David Hern\u00e1ndez Palmar and Marbel Vanegas (2023) and Ako\u2019yolowaa - Cubrirse el alma by Luzbeidy Monterrosa (2025).\n<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tLeiqui Uriana Henr\u00edquez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Sijono<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Leiqui del Carmen Uriana is Wayuu from the Sijono clan. <\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Filmmaker graduated from the Documentary Direction program at the International School of Film and Television of San Antonio de los Ba\u00f1os (EICTV), Cuba. She has experience in filmmaking and audiovisual production.

She has participated in several film productions in Venezuela and Colombia since 2005. She is currently the director of the short film \"La memoria de la avispa\", which is circulating in national and international festivals. She is the co-producer of the Ecuadorian feature documentary \"El Ocaso de la Amazonia\", directed by Diego Sarmiento (2023), and the general producer of the feature documentaries \"Buscando las marcas del Asho\u2019ojoshi\" by David Hern\u00e1ndez Palmar and Marbel Vanegas (2023) and Ako\u2019yolowaa - Cubrirse el alma by Luzbeidy Monterrosa (2025).<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Co-producers<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Director and screenwriter in several audiovisual projects. Among them, the film project J\u00fclap\u00fcinYonna was selected by the National Council of Arts and Culture in Cinematography (CNACC) as a beneficiary. It is currently in the final stage of post-production, filmed entirely in the Guajira.<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Director and screenwriter<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director and screenwriter in several audiovisual projects. Among them, the film project J\u00fclap\u00fcinYonna was selected by the National Council of Arts and Culture in Cinematography (CNACC) as a beneficiary. It is currently in the final stage of post-production, filmed entirely in the Guajira.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\tDavid Hernandez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tPalmar<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Journalist, photographer, and filmmaker with fifteen years of experience in indigenous and Latin American cinema. Curator of Latin American and Caribbean cinema, specializing in indigenous cinema. Member of the Communications Network of the Wayuu People. Director of the Wayaakua Indigenous Audiovisual Foundation. Curator and programmer of the Wayuu Film and Video Showcase. He was a consultant for the special NATIVe selection at the Berlin International Film Festival (2015-2019) and a consultant for the Prince Claus Foundation. He is currently the Director of Alliances and Advocacy and the Focal Point for the Indigenous Film Alliance at INUTW. <\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tDavid Hernandez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tPalmar<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Journalist, photographer, and filmmaker with fifteen years of experience in Indigenous and Latin American cinema.<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0Curator of Latin American and Caribbean cinema, specializing in indigenous cinema. Member of the Communications Network of the Wayuu People. Director of the Wayaakua Indigenous Audiovisual Foundation. Curator and programmer of the Wayuu Film and Video Showcase. He was a consultant for the special NATIVe selection at the Berlin International Film Festival (2015-2019) and a consultant for the Prince Claus Foundation. He is currently the Director of Alliances and Advocacy and the Focal Point for the Indigenous Film Alliance at INUTW.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Community organizer, territory defender, environmental scientist, anthropologist, cultural worker, educator, researcher, and farmer. Member of the Beehive Design Collective and the Polinizaciones process. Cofounder of the environmental arts community association 'Jaguos por el Territorio.' Since 2007, he has supported, created, coordinated, and implemented various community communication initiatives, ecological restoration projects, and artistic skill development in rural communities affected by extractive projects.<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Community organizer, land defender, environmental scientist, anthropologist, cultural worker, educator, researcher, and farmer. <\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Member of the Beehive Design Collective and the Polinizaciones process. Cofounder of the environmental arts community association 'Jaguos por el Territorio.' Since 2007, he has supported, created, coordinated, and implemented various community communication initiatives, ecological restoration projects, and artistic skill development in rural communities affected by extractive projects.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Local producers<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tYelver Florez Camargo<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Epieyu<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Audiovisual Director \/ Location Manager \/ Field Producer. <\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A young Wayuu from the Epieyuu clan (1995), Technical High School graduate in nursery management from INTINSA (2012), and a graduate of the Wayuu Communications School, second class (2017). He is currently a member of the Red de comunicaciones wayuu and a partner of the Indigenous Production Company Anakaa Films. He has been involved in field and local production activities within Wayuu territory, with notable participation in the following films: \"P\u00e1jaros de Verano\" (2017), \"Regreso al mar de mis Muertos\" (2019), \"Pimpinero\" (2023), and \"Cien A\u00f1os de Soledad\" (2023-2024). He has also ventured into audiovisual production, directing several short films, including \"Caimaneras\" (2019) and \"Aipasai\" (2022).<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\tYelver Florez Camargo<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Epieyu<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Audiovisual Director \/ Location Manager \/ Field Producer. A young Wayuu from the Epieyuu clan (1995), Technical High School graduate in nursery management from INTINSA (2012), and a graduate of the Wayuu Communications School, second class (2017). He is currently a member of the Red de comunicaciones wayuu and a partner of the Indigenous Production Company Anakaa Films. He has been involved in field and local production activities within Wayuu territory, with notable participation in the following films: \"P\u00e1jaros de Verano\" (2017), \"Regreso al mar de mis Muertos\" (2019), \"Pimpinero\" (2023), and \"Cien A\u00f1os de Soledad\" (2023-2024). He has also ventured into audiovisual production, directing several short films, including \"Caimaneras\" (2019) and \"Aipasai\" (2022).\n<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tDiego Gonz\u00e1lez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Epieyu<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Logistics operator \/ field producer, graduated from Akuaipa Educational Institution (2015), Wayuu Epiayu (1998). He has participated since 2020 in various productions with Anakaa Films, and has also been involved in different films made in the Wayuu territory, such as field producer for the short film Julapuin Yonna - The Dream of Dancing (2023); art assistant in the feature film Semilla del Desierto (2023); assistant producer for the international feature film The Quest For The Throne of God (2023); and assistant producer for the documentary feature film Buscando las Marcas de Ashojo\u2019ojushi (2023-2025). \n<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\tDiego Gonz\u00e1lez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Epieyu<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
Logistics Operator \/ Field Producer. \n<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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He has participated since 2020 in various productions with Anakaa Films, and has also been involved in different films made in the Wayuu territory, such as field producer for the short film Julapuin Yonna - The Dream of Dancing (2023); art assistant in the feature film Semilla del Desierto (2023); assistant producer for the international feature film The Quest For The Throne of God (2023); and assistant producer for the documentary feature film Buscando las Marcas de Ashojo\u2019ojushi (2023-2025). <\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\tLuis Gonz\u00e1lez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Epieyu<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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\"I am Wayuu, in a constant learning process for the development of audiovisual production in our region. I am always interested in working as part of a team, with experience in administrative and logistical tasks. I possess the ability to work under pressure and stress. I am a speaker of Wayuunaiki. I have experience in production assistance since 2022, participating in the films produced by Anakaa Films.\" <\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\tLuis Gonz\u00e1lez<\/span>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tWayuu Epieyu<\/span>\n\t\t\t\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
\"I am Wayuu, in a constant learning process for the development of audiovisual production in our region. I am always interested in working as part of a team, with experience in administrative and logistical tasks. I possess the ability to work under pressure and stress. I am a speaker of Wayuunaiki. I have experience in production assistance since 2022, participating in the films produced by Anakaa Films.\" <\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Sobre nosotros Cada paso que damos busca empoderar a las comunidades, ofreciendo procesos de formaci\u00f3n como WayuuLab, festivales y muestras de cine que abren caminos para que sus voces resuenen con fuerza y visibilizaci\u00f3n. Creemos en el poder del cine como un puente para fortalecer identidades, preservar memoria y construir un futuro donde las comunidades ind\u00edgenas sean protagonistas de sus propias historias. Somos una productora ind\u00edgena de cine y medios audiovisuales Miembros de la red de comunicaciones del Pueblo Wayuu Putchimaajana Desde nuestros comienzos en 2019, hemos nacido con el don de escuchar y alzar las voces de los pueblos ind\u00edgenas. Nos hemos comprometido con fortalecer su presencia en el mundo del cine, promoviendo la creaci\u00f3n de historias poderosas sobre nuestra cultura, nuestros sue\u00f1os y nuestra realidad. Cont\u00e1ctar 40 Proyectos +30 Colaboraciones y alianzas 100% Impacto cultural Misi\u00f3n y Visi\u00f3n MISI\u00d3N Fomentar y promover la producci\u00f3n audiovisual ind\u00edgena en todos sus g\u00e9neros, reconociendo y valorando la diversidad cultural. Fortalecer a las comunidades ind\u00edgenas mediante la creaci\u00f3n, formaci\u00f3n, difusi\u00f3n y divulgaci\u00f3n de contenidos que expresen sus identidades, saberes e historias, contribuyendo as\u00ed a la conservaci\u00f3n y revitalizaci\u00f3n de sus culturas a trav\u00e9s del cine. VISI\u00d3N Ser una productora audiovisual ind\u00edgena de referencia a nivel global, que promueve y preserva la identidad cultural, impulsando el desarrollo humano sostenible y fortaleciendo la voz de los pueblos originarios en el escenario nacional e internacional. Fundadores Lismari Machado Silva Wayuu Uliana Comunicadora ind\u00edgena Comunitaria\/ Fot\u00f3grafa y realizadora audiovisual. Egresada de la Escuela de Comunicaciones del Pueblo Wayuu, Lismari Machado ha participado en el primer laboratorio de Cine Ind\u00edgena en Colombia, WayuuLab, donde dirigi\u00f3 dos cortometrajes, PAINWASHI y ESP\u00cdRITU DE UN RECICLADOR, y Lap\u00fc con SMARTFILMS, quedando como preseleccionados. Ha trabajado como asistente de vestuario en la pel\u00edcula "P\u00e1jaros de Verano" y como asistente de c\u00e1mara en la serie de televisi\u00f3n "A Viva Voz" para Canal Trece. Realiz\u00f3 su primer direcci\u00f3n de fotograf\u00eda corto documental La Memoria de la Avispa de Leiqui Uriana (2020). Fot\u00f3grafa de la Agencia Internacional de Noticias Turca ANADOLU, Lismari es miembro activa de la Red de Comunicaciones del Pueblo Wayuu. Lismari Machado Silva Wayuu Uliana Comunicadora ind\u00edgena Comunitaria\/ Fot\u00f3grafa y realizadora audiovisual. Ver info Egresada de la Escuela de Comunicaciones del Pueblo Wayuu, Lismari Machado ha participado en el primer laboratorio de Cine Ind\u00edgena en Colombia, WayuuLab, donde dirigi\u00f3dos cortometrajes, PAINWASHI y ESP\u00cdRITU DE UN RECICLADOR, y Lapu con SMARTFILMS, quedando como preseleccionados. Ha trabajado como asistente de vestuario en la pel\u00edcula “P\u00e1jaros de Verano” y como asistente de c\u00e1mara en la serie detelevisi\u00f3n “A Viva Voz” para Canal Trece. Adem\u00e1s, ha realizado la producci\u00f3n de la serie documental “El Buen Vivir” para Canal Trece, protagonizada por nueve pueblos ind\u00edgenas de Colombia. Lismari es un miembro activo de la Red de Comunicaciones del pueblo Wayuu. Leiqui Uriana Henr\u00edquez Wayuu Sijono Leiqui del Carmen Uriana, es Wayuu del clan Sijono. Cineasta egresada del programa de Direcci\u00f3n Documental de la Escuela Internacional de Cine y Televisi\u00f3n de San Antonio de los Ba\u00f1os (EICTV), Cuba. Tiene experiencia en realizaci\u00f3n y producci\u00f3n audiovisual. Ha participado en varias producciones cinematogr\u00e1ficas en Venezuela y Colombia desde el 2005. Actualmente directora del cortometraje \u201cLa memoria de la avispa\u201d que se encuentra en circulaci\u00f3n por festivales nacionales e internacionales. Es co-productora de largo documental ecuatoriano \u201cEl Ocaso de la Amazonia\u201d dirigida por Diego Sarmiento (2023) y productora general de los largos documentales \u201cBuscando las marcos del Asho\u2019ojoshi\u201d de David Hern\u00e1ndez Palmar y Marbel Vanegas (2023) Ako\u2019yolowaa – Cubrirse el alma de Luzbeidy Monterrosa (2025) Leiqui Uriana Henr\u00edquez Wayuu Sijono Leiqui del Carmen Uriana, es Wayuu del clan Sijono. Ver info Cineasta egresada del programa de Direcci\u00f3n Documental de la Escuela Internacional de Cine y Televisi\u00f3n de San Antonio de los Ba\u00f1os (EICTV), Cuba. Tiene experiencia en realizaci\u00f3n y producci\u00f3n audiovisual. Ha participado en varias producciones cinematogr\u00e1ficas en Venezuela y Colombia desde el 2005. Actualmente directora del cortometraje \u201cLa memoria de la avispa\u201d que se encuentra en circulaci\u00f3n por festivales nacionales e internacionales. Es co-productora de largo documental ecuatoriano \u201cEl Ocaso de la Amazonia\u201d dirigida por Diego Sarmiento (2023) y productora general de los largos documentales \u201cBuscando las marcos del Asho\u2019ojoshi\u201d de David Hern\u00e1ndez Palmar y Marbel Vanegas (2023) Ako\u2019yolowaa – Cubrirse el alma de Luzbeidy Monterrosa (2025) Co-productores Luzbeidy Monterrosa Directora y guionista en varios proyectos audiovisuales. Entre ellos destacan el proyecto cinematogr\u00e1fico J\u00fclap\u00fcinYonna fue seleccionado por el Consejo Nacional de las Artes y la Cultura en Cinematograf\u00eda (CNACC) como beneficiario. Actualmente, se encuentra en la etapa final de postproducci\u00f3n, rodada en su totalidad en La Guajira. Luzbeidy Monterrosa Directora y guionista Ver info Directora y guionista en varios proyectos audiovisuales. Entre ellos destacan el proyecto cinematogr\u00e1fico J\u00fclap\u00fcinYonna fue seleccionado por el Consejo Nacional de las Artes y la Cultura en Cinematograf\u00eda (CNACC) como beneficiario. Actualmente, se encuentra en la etapa final de postproducci\u00f3n, rodada en su totalidad en La Guajira. David Hernandez Palmar Periodista, fot\u00f3grafo y cineasta con quince a\u00f1os de experiencia en el cine ind\u00edgena y latinoamericano. Curador de cine latinoamericano y caribe\u00f1o, especializado en cine ind\u00edgena. Miembro de la Red de Comunicaciones del Pueblo Wayuu. Director de la Fundaci\u00f3n Audiovisual Ind\u00edgena Wayaakua. Curador y programador de la Muestra de Cine y Video Wayuu. Fue consultor de la selecci\u00f3n especial NATIVe del Festival Internacional de Cine de Berl\u00edn (2015-2019) y consultor para la Fundaci\u00f3n Prince Claus. Actualmente es Director de Alianzas e Incidencias y Punto Focal para la Alianza de Cine Ind\u00edgena en INUTW David Hernandez Palmar Periodista, fot\u00f3grafo y cineasta con quince a\u00f1os de experiencia en el cine ind\u00edgena y latinoamericano. Ver info \u00a0Curador de cine latinoamericano y caribe\u00f1o, especializado en cine ind\u00edgena. Miembro de la Red de Comunicaciones del Pueblo Wayuu. Director de la Fundaci\u00f3n Audiovisual Ind\u00edgena Wayaakua. Curador y programador de la Muestra de Cine y Video Wayuu. Fue consultor de la selecci\u00f3n especial NATIVe del Festival Internacional de Cine de Berl\u00edn (2015-2019) y consultor para la Fundaci\u00f3n Prince Claus. Actualmente es Director de Alianzas e Incidencias y Punto Focal para la Alianza<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-398","page","type-page","status-publish","hentry"],"_hostinger_reach_plugin_has_subscription_block":false,"_hostinger_reach_plugin_is_elementor":false,"_links":{"self":[{"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/pages\/398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/comments?post=398"}],"version-history":[{"count":163,"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/pages\/398\/revisions"}],"predecessor-version":[{"id":3169,"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/pages\/398\/revisions\/3169"}],"wp:attachment":[{"href":"https:\/\/anakaafilms.com\/en\/wp-json\/wp\/v2\/media?parent=398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}